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Masters Of Black And White Landscape Photography.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are simply as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, hold taking two or more shots with different exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantaneously be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dreary straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a great starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Dodge and Burn. Dodging and burning is a mechanism that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only ambition of because you should target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a good mechanism of giving a sense of greater sharpness and enhancing texture. Plus, because you can set the opacity of the tools, you could build up his effect gradually so the impact is subtle and there are no hard edges.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with different colours.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than re 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Shoot RAW + JPEG. The most excellent monochrome conversions are lighted on by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact pathway cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in her camera’s live conceptualization lane , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

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DSLR Photography for Beginners: Take 10 Times Better Pictures in 48 Hours or Less! …

The author really did a good job explaining his process and outlining ways that the reader could follow. This book is a resource that I will see a lot. I may not do as much black and white but I will follow his steps when I process my pictures and also use his tips for setting up the shots.

The pictures were absolutely stunning.

Qty: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Qty:1

2.0 out of 5 starsI’m sorry to say I was really disappointed with this book

Digital Landscape Photography: In the Footsteps of Ansel Adams and the Masters

The biggest secret to taking your photography to the next level is simply to…

Dramatic Black & White Photography Using Nik Silver Efex Pro 2

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Great examples though I do wish the post processing was a bit more specific.

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First off, Gary Wagner’s photographs are a joy to behold; this book could serve as a fine arts coffee table book. Then Mr.Read more

Expert guidance for creating impressive digital black and white photos. Detailed instructions with easy to understand step by step examples.

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Gary Wagner’s love of the photographic image and craft began at the age of sixteen when he became the photographer for his high school newspaper in Kokomo, Indiana. He continued his education at Indiana University in Bloomington, eventually moving to Santa Barbara, California, to attend Brooks Institute of Photography.

While at Brooks, Gary increased his artistic and theoretical knowledge of photography and the historical significance of the printed image. Earning a Master’s Degree in Photography from Brooks Institute, with the publication of his work on historical carbon printing, gave Gary a continued appreciation and passion for his artistic craft.

Gary’s professional career spans more than three decades and includes, fine art, portrait, and commercial photography. His knowledge, expertise, and enthusiasm for the photographic image enabled him to successfully teach theory and technique at the college level and seminars in Europe on the English country landscape.

Fluent with all film formats, from 35mm to 8×10, Gary has embraced the digital image and the ever-changing environment of photography in the current technological age. Exploring photography using digital imagery offers a myriad of possibilities.

Refining technique with the interplay of artistic expression fascinates and challenges Gary to continue his exploration of the photographic image and his study of the land and its natural elements and beauty.

For the past 25 years Gary has made his home in the beautiful Sierra foothills of Northern California.

I’m sorry to say I was really disappointed with this book. I was looking for some new inspiration to perhaps add a spark to my own landscape photography and certainly Gary’s photos do have a unique mood to them.

However it would seem the author just didnt have enough advice to offer in order to justify an entire book. The post process involved in creating the look and feel of these photos is very repetitive and once you’ve read about a couple of them you’ve pretty much got the gist of it.

And unfortunately quite a bit of it is automated programs and filters. I really didn’t learn a single new technique. Not one “aha” moment.Great photographs but ultimately not very educational.

Exposure Mastery: Aperture, Shutter Speed & ISO. The Difference Between Good and BR…

Comment: Ships directly from amazon 100% satisfaction. Excellent condition clean crisp pages. Essentially a new book.

Digital Black & White Landscape Photography: Fine Art Techniques from Camera to Print Paperback – August 11, 2015

Paperback: 128 pages Publisher: Amherst Media (August 11, 2015) Language: English ISBN-10: 160895921X ISBN-13: 978-1608959211 Product Dimensions: 7.8 x 0.2 x 10 inches Shipping Weight: 12.6 ounces (View shipping rates and policies) Average Customer Review: 4.

3 out of 5 stars 30 customer reviews Amazon Best Sellers Rank: #222,737 in Books (See Top 100 in Books) #318 in Books > Arts & Photography > Photography & Video > Digital Photography #506 in Books > Computers & Technology > Digital Audio, Video & Photography

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Try the Kindle edition and experience these great reading features:

Black & White Artistry: The Creative Photographer’s Guide to Interpreting Places and Spaces

A refreshing, unique approach to improving your photography. Understand weaknesses and remedies. Challenges you to develop using practical exercises.

The author uses common techniques to capture multiple-exposures of a scene. Then he utilizes Photomatix to render HDR interpretations. Finally he uses Nik Silver Efex Pro 2 to yield stunning BW results.

From scene to scene the end-to-end recipe is fairly consistent. That said in my opinion the results are very impressive and eye catching.

As others have mentioned, the photographs in the book are beautiful. I was hoping for a book that would dive into photography techniques as used in black and white photography. But most every photo follows the same process of bracketed images, HDR merge and convert to black and white.

There is little mention of any actual techniques or why or ho the photograph was taken, which in my opinion is the toughest and most interesting part. If you are looking for a book to simplify the editing process with good results then buy this one.

If you are looking for a book to learn about how and why to take a picture for black and white then look elsewhere.

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This item: Digital Black & White Landscape Photography: Fine Art Techniques from Camera to Print

I like the way the author presents the subjects, they are easy to understand. The photos in the book are great. I have Photomatix and the Nik programs, so what he writes about them is very helpful to me.

I would recommend this book to anyone who is interested in improving their photography skills.

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This is a very accessable tutorial of how the digital photographer can do B&W conversion. After a fairly short dicussion on gear and software, the meat of the book is the examples which the author annotates with some detail on the shooting and processing strategy.

Wagner stresses shooting a HDR series, tone mapping and then converting to monochrome. With current sensor technology the HDR step is less likley to be needed than it was even 5 years ago. Also, Wagner’s style is to produce a fairly dark and moody print.

This style may no be for everyone or for every image, but the principles presented allow the reader the freedom to find their own asthetic. For a broader look at modern B&W imaging there is Michael Freeman’s Black and White Photography: Field Guide.

I find both of considerable value.

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5.0 out of 5 starsThis is a great book by a classical landscape photographer who has converted …

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Inspirational, no bluster or bravado. This is what it is, this is how it’s done. Perfect

The Photographer’s Black and White Handbook: Making and Processing Stunning Digital Black and White Photos

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Hey All – I rarely write reviews but just had to mention how disappointed I was with Mr Wagner’s book.Read more

This is a great book by a classical landscape photographer who has converted to digital photography without losing the quality of classical film images.Read more

Black & White Photography: The timeless art of monochrome in the post-digital age

The Kindle version of this book is not much cheaper than the printed one. I got it after seeing some of Gary’s images in the current issue (#121) of LensWork magazine. They were big and presented professionally in the magazine.

The Kindle book though had all the images fixed in position and very small, making it hard to tell what Gary was trying to tell the reader about the image. Hopefully there will be an update to this book, for free, fixing the image sizes so that paying customers can see the images, at least as well as they were shown in LensWork.

UPDATE: Rotating my iPad or Kindle to look at this book works better for the pictures. I did see the analog version at a brick & mortar store and am now glad I went with the digital. I am updating my rating of 2 stars to 4 stars.

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Landscape photography is a popular photographic genre—and for good reason. The great outdoors is an ever-ready subject. It is variable, as well; it is affected by changing light, decomposition, weather, human interaction, and myriad other factors.

Its features range from natural to manmade elements—and many landscapes are comprised of both.Photographers who point their camera’s lens at a scene do so in an effort to communicate their feelings about the landscape.

Rather than simply document the scene, they seek to capture the spirit of place—perhaps to tell a story or depict a mood. They aim to share with viewers the ways in which the scene speaks to them. Accomplishing these goals may seem simple at the outset, but the task is rife with challenges.

In this book, Gary Wagner shows readers how to create powerful, evocative black & white landscape photographs filled with beautiful light, a full range of tones, and exquisite detail. Beginning with a look at the gear you’ll need to get the best-possible images, Wagner covers cameras, lens types, tripods, and filters.

He then discusses the postproduction processes he uses to enhance his images, producing breathtaking photographic records of natural and man-altered locales.Following a run-through of the basic tenets of landscape photography, Wagner presents 60 of his favorite images for review.

Readers will find images in six categories: (1) Lakes and Streams, (2) Trees and Rocks, (3) Coastal Seascapes, (4) Winter, and (5) Man-Altered Landscapes. This presentation model allows readers to focus on the aspects of landscape photography that most appeal to them or challenge them most.

With each image presented, readers will learn the strategies that went into conceptualizing and creating the shot—from exposure, to composition, to postproduction, and more.With information on every aspect of creating striking, moving landscape images—from choosing gear, to studying light, to calculating ideal exposures, to composing images, to retouching/manipulating the images for breathtaking results, to setting up your workflow to ensure that the printed/output image meets the strictest criteria, this book will prove indispensable to photographers new to landscape photography or those seeking to take their image creation to a whole new level.

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5.0 out of 5 starsThe author really did a good job explaining his process and outlining ways that the …

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