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Photography Indian Black And White.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations should become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for moment , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create demarcation between objects of the same brightness but with different colours.

Dodge and Burn. Dodging and burning is a procedure that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers can only thought of taking a degree of because you could target the highlights, shadows or mid-tones with both. This means that you can use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to grow local contrast. It’s a good mannerism of giving a sense of better sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you should build up her effect gradually so the impact is subtle and there are no hard edges.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and featureless straight from the camera. happily , it’s possible to work adjust the brightness of these two colours discretely to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is supportive when you want to retain detail in a bright sky while a polarizing filter could be used to reduce reflections and boost contrast. Alternatively, make of,find taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be useful for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Shoot RAW + JPEG. The greatest monochrome conversions are run into by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As many photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact procedure cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users may also do this if they kick in his camera’s live theory mannerism , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this should help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If required , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). typically , when exposures extend farther than concerning 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

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7. The dive 8. And the flight! 9. Generation gap 10. A bird’s eye view 11. Swingin’ in the Rain 12. Such happy faces! All pictures’ source: Prashant’s official website

We wanted to give a glimpse of this land filled with surprises and stark contrasts. Here in this post we have selected some absolutely stunning b/w pictures from various ingenious photographers around the world. We strongly believe these pictures would stir and produce more young talents to boom from this incredible country.

Do check our much appreciated post on Indian Street Photographs in Color here

35 Fantastic Indian Black & White Street Photographs, 4.1 out of 5 based on 12 ratings

in Art, Photo Story IN PHOTOS: These Black & White Pictures Capture India’s Soul. In it’s Beaches, Streets & People!

You can have a look at more of Prashant’s captures on his website, here.

All photos are linked and lead to the sources from which they were taken. Please feel free to explore further works of these photographers on their collections or their personal sites.

You can also read: In PHOTOS: Meet India’s 4am Heroes Who Are Hard at Work So You Wake up at Leisure

35 Fantastic Color Street Photographs 35 Fantastic Black And White Street Photographs Inspiring Examples Of Indian Street Photography The Decisive Moments In Street Photography – Colorful Collection The Decisive Moments In Street Photography – Black & White Collection

India has been a draw for talented photographers from all over the world for a long time now. They come here fascinated by the vibrant culture, diversity and rich colours of the land.

India, the land of diversities well known for its rich colors, contradictions and wonderful cultures running within every state along the length and breadth. Whereas, monochrome does protrude much into the emotional part of conveying a story. How mystical and magical would it be for a street photographer to perceive and present some of the grandiose pictures designing the beauty and strange contrasts of this country.

Over the years, its been the photographers from other countries who has always cherished and captured the true essence of this land. Right from the age of Henri Cartier-Bresson many American, English and European Photographers had showed a major interest to travel India for its gift of cultural variety and abundant landscape beauty. The People of this land seem to be more than welcoming to the photographers. To underline a Stat, renowned Photo Journalist Steve McCurry has traveled India more than 85 good times.

But why is Prashant fascinated with black and white photography? “We see the world in colour, so rendition of the world in grayscale makes us pause and look closely, allows us to see the subject and its context more directly and lets us connect more easily.  As Ted Grant said rightly ‘When you photograph people in colour, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!’”

Almost in all the pictures here, the idea of vision and the art of seeing has been borrowed and learnt from the master photographers who were foreign to this country. The surprises they encountered has been translated into beautiful photographs, which later became a valuable example for others to pursue.

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Pictures tell stories like no words can ever capture. And when pictures are in black and white, the contrast adds a whole new artistic dimension to these tales.

Prashant Godbole, who has been working in the advertising industry for the last 25 years, loves to capture everyday India, but in monochrome.

Like this story? Or have something to share? Write to us: [email protected], or connect with us on Facebook and Twitter (@thebetterindia).

1. Wisdom 2. You can lead a horse to water… 3. Deep-rooted love 4. Man’s best friend 5. Someone just photobombed me! 6. Finding solace, anywhere!

“I am not a trained photographer. Photography is my hobby.  I am a trained visualiser/art director. My job is to come up with visual stories. All my advertising work reflects what I see around me; as an artist you are observing people and their diversity, traditions, culture, their emotions like affection, happiness, love, greed, lust, joy, fear, etc. The only way to make sense out of this is to plunge into it, move with it, enjoy and find connection in the moment. Also, when you are photographing, you are capturing your own perception of the duration of events in time. What I like about photographs is that they capture a moment that’s gone forever, and they give you the ability to revisit and share the experience with others with their sense of perception,” says Prashant.

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