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Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and featureless straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This could be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the greatest composition.

Shoot RAW + JPEG. The greatest monochrome conversions are met by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact modus operandi cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they activate her camera’s live line of thinking manner , but the usually slower responses mean that most will find it preferable or check the image on the screen post-capture.

Try Long Exposure. Long exposure shots should work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than apropos 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a few years ago Photoshop’s Channel Mixer was the favorite means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations should become unnatural looking. And adjusting the brightness of a red or pink shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with unique colours.

Dodge and Burn. Dodging and burning is a routine that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers could only ambition of because you may target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to grow local contrast. It’s a great technique of sharing a sense of greater sharpness and enhancing texture. Plus, because you should set the opacity of the tools, you could build up their effect gradually so the impact is subtle and there are no hard edges.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as advantageous in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is supportive when you require to retain detail in a bright sky while a polarizing filter may be used to decrease reflections and boost contrast. Alternatively, think taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of his opposite colour while lightening objects of her own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

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Skin, created by blogger Habiba Da Silva, has answered our call for a full flesh-tone range of hijabs for women and men. Da Silva, who’s of Lebanese and Brazilian heritage, hopes her designs paint a picture of “a bond between people from different backgrounds and cultures.” 

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Went back to The Golestan Palace a few days ago And all I can say is that I haven’t had enough

 Hope these lovely and exclusive Black and White Hijab styles will add a charming glow to your appearance. You can snatch a few ideas from this amazing collection to make your own fashion statement. Blacks and Whites are always graceful and suitable for all types of occasions. Specially, working women can go for the amazing combination!

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Qajar, Iran, Shadi Ghadirian, 1998Gelatin-silver bromide print

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White girl wearing booty shorts and a crop top: I feel SO hot. I could start melting any moment now. Me, wearing a top with an extra full sleeved one underneath, a headscarf, and jeans: hahahaha ya u could

So in the last couple of months I did this thing on my Instagram account where I would redraw pictures on my feed from the people I follow. It’s super hard to commit as per usual but I did it in the span of time I promised! Hahahaha! So here are the results!

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Because I haven’t posted my photography in a while. Follow my photography page on Instagram? @shotsby_q

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My edit, please don’t remove my name. In sha Allah i will be doing more edits like this.

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Blacks and whites are always deemed suitable for men as well as women. They can be classified as global colors suitable for all outfit styles whether they may be Hijabs, headscarves, under caps, maxis, headbands, denim jackets and so on!

My edit surah At tin (the fig) Plz do not remove/rearrange the photos or crop my name out, Jazakallahu khairan ❤️


On tonight’s episode of The Walking Dead, a new hijabi character was introduced. Her hijab or religion was not acknowledged, she was just a normal character like anyone else. I hope the writers treat her well!

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.. 💋💋💋💋💋

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“Historically headwear has always been used to oppress women” this couldn’t be further from the truth and I say this from my experience as an African. Whenever we buy fabric to Taylor our clothes, a piece is always cut out to be used as a headwear. Our outfit ain’t complete if we don’t have a beautiful scarf wrapped around our head in all sorts of fancy styles, if you want to look bomb you simply gotta put on your crown, it’s not something women/girls are required to do for the sake of covering up it’s just fashion for us. Please realize that different cultures have different things they view as oppressive, tying a turban or wearing caps is equally common to african men, their outfit also ain’t complete without a headwear if you watched bp you would have seen it but let’s move on. I once showed my friend a picture of the royal dressing from my culture and she looked at the “emir” ( sort of like a name for the king of the old empire) and she said is he a virgin lmao. Yes I am Muslim and I choose to wear the hijab but covering the hair isn’t something that is always a religious act, it’s as natural and normal as wearing pants for some of us.

Black and White Hijab Photography – Style No. 10 Black and White Hijab Photography – Style No. 09 Black and White Hijab Photography – Style No. 08

yeah this is partly in response to that postbut i see this assumption everywhereand I am tiredthijabfeminismwhite feminismiintersectional feminismmuslim womenafrican women

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Black and White Hijab Photography – Style No. 07 Black and White Hijab Photography – Style No. 06 Black and White Hijab Photography – Style No. 05 Black and White Hijab Photography – Style No. 04 Black and White Hijab Photography – Style No.

03 Black and White Hijab Photography – Style No. 02 Black and White Hijab Photography – Style No. 01

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My edit. May Allah guide us and protect us from this fitnah, ameen.

Oh and Ramadan Mubarak to everyone! May Allah make it a means of expiating all our sins and may He accept our fasts, ameen!

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The glamorous and sensational world of fashion is too unpredictable. One day you will see red is the most favorite among dress designers while the other day you will be amazed to see that boutiques are full of yellow dresses.  But, even in this unpredictable world, two colors-“the graceful black and the sophisticated white” have always maintained their legendary niche. Neither the changing years nor the changing seasons have been able to affect their eternal place in the fashion world.

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Because Muslim people come from all regions, not just the Middle East, this blogger just created a gorgeous line of multi-skin-toned hijab

Today, we have brought black and white Hijab photography collection for you. It looks classic, elegant and graceful.


Eid Mubarak from the Dahir Sisters ❤ Ig// Thedahirsisters :))

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the answer is nobc Mashallah I’m the cutest 😂okay real talk tho these are the cutest pictures of me ever y’all should appreciateand I’m probably going to be uploading two more photo sets with this look sooooostay tunedmeArabarab girlspalestinianhijabihijab fashionhijabi fashionoutfitsoutfit inspobrowngirlsgang

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