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Spanish Black And White Photographers

Spanish Black And White Photographers Spanish Black And White Photographers

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Two child models pose up for their portraits. Jacqueline’s photos have featured in numerous publications, and in 2016 the Royal Photographic Society acquired one of her ‘Nebula’ plates to enter their permanent collection, hosted by the Victoria and Albert Museum. She has published three books with German publisher Galerie Vevais, and her fourth monograph ‘Nebula’ was published last year by Italian publisher Damiani

Two girls hold hands and look into the lens to produce this stunning shot. Jaqueline Roberts has revived the Victorian art of wet plate photography, the primary method used from the early 1850s to the 1880s

Jaqueline Roberts has revived the Victorian art of wet plate photography, the primary method used from the early 1850s to the 1880s.

Published: 10:44 BST, 23 June 2017 | Updated: 10:49 BST, 23 June 2017

‘Today we are swamped with images that are becoming meaningless and disposable. We are losing the emotional connection with photographs.

Jaqueline Roberts, who is responsible for the throwback, decided to produce a self-portrait (left) to go with her endless collection of faces used in her portfolio. On the right, a young model poses for a moody black and white shot

Three children pose for wet plate portrait. The child in the middle has been enhanced and is the focus of the photograph while the girl on the left looks on and the boy on the right stares into the lens. The Spanish photographer has taken her work back to the Victorian era and used wet-plate techniques to produce these stunning black and white portraits of her models

Ms Roberts decided to reach back into history because of a feeling of distance between the photographer and the pictures they produce. 

She said: ‘For me, making wet plates goes beyond the photographic process itself. It is a sort of inner journey.

‘Engaging with the sitter and capturing emotion is essential to how I approach photography.’

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A smokey finish to a portrait of a girl and her reflection. Spanish photographer Jacqueline Roberts has revived the Victorian art of wet plate photography, the primary method from the early 1850s to the 1880s

A Spanish photographer has taken her work back to the Victorian era and used wet-plate techniques to produce stunning black and white portraits of her models. 

Although the finished product results in pictures that look like they have been resurrected from the past, the subjects are young and the photographs developed in a modern environment. 

Two portraits with specs and a patterned finish. Photographer Jaqueline Roberts said: She said: ‘Photography didn’t feel like a hobby or spare time activity to me. I didn’t have any spare time. I remember juggling it with everyday life was tricky but photography felt liberating. I did it simply because I loved it and did not expect anything in return. I had to do it relentlessly, selfishly almost. Most of my work is done with my own children, their cousins, their friends or our neighbours’

A topless boy rests his head on his forearm in a black and white shot. On working with children, photographer Ms Roberts said: ‘I have noticed children’s behaviour is entirely different when they are in front of an old wooden camera. They seem to grasp the unique nature of collodion and that gives a sense of occasion to the whole process’

Photo filter… 1850s-style: Photographer uses Victorian wet-plate technique to produce stunning black and white portraitsArtist Jaqueline Roberts has revived the Victorian art of wet plate photography in her latest picture collectionAdopted technique was the primary method used in portrait photography from the early 1850s to the 1880sFinished article is pictures that look like they have been resurrected from the past, but the subjects are youngMs Roberts decided to reach into history because of feeling of distance between  photographer and pictures

Three children pose up for a wet plate portrait. A girl lies on the bed facing the camera while two boys face each other as they sit on the window frame. To achieve the effect, she coats a plate in collodion, exposes it when it is wet, and then develops and fixes it at the scene

Although the finished product results in pictures that look like they have been resurrected from the past, the subjects are young and the photographs developed in a modern environment. Ms Roberts decided to reach back into history because of a feeling of distance between the photographer and the pictures they produce. She said: ‘For me, making wet plates goes beyond the photographic process itself. It is a sort of inner journey. Today we are swamped with images that are becoming meaningless and disposable. We are losing the emotional connection with photographs. Engaging with the sitter and capturing emotion is essential to how I approach photography’

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