Street Photography In Black And White

best black and white pictures Street Photography In Black And White

best black and white pictures Street Photography In Black And White

10 useful street photography tips
Street photography with black and white film
Girl on road black and white street photography
The great londoners 18 the great londoners 18london black and white
A man and a camera tripod combination taking photographs on the street
Modern american street photography by markus hartel new york turning black and white
Light and shadows black and white street photography
Modern american street photography by markus hartel new york kids and fire hydrant black and white
Modern american street photography by markus hartel new york straphangers black and white street
Street photography in india 50 stunning black and white photos
Modern american street photography by markus hartel new york ages black and white street photography
16 comments fanho longtimenosee1963 ahkm photographer ho fan has been shooting black and white street
Black and white street photography jeff cabella
10 street photography tips for beginners
Nyc by tom spader on 500px
Street photography by felix lupa the decisive moment in street photography
New york city street black and white street photography in new york
Pedestrian crossing new york black and white street photography
Modern american street photography by markus hartel new york
You will learn how to see and capture gesture and expression as you practice street photography in the same streets where the masters of the genre made

About dPS Write for dPS Advertise on dPS Affiliate Program Privacy Policy

Autumn in Paris would not be as well conveyed in a B&W photograph.

Tags: b&w, blackandwhite, oped, opinion, sebastianjacobitz, streetphotography, thoughts

Black-and-white still remains the photographer’s favorite for street photographers, and with very good reason. Where in other genres monochrome has become a niche look, street photography is different. Why does B&W remain the favorite choice of street photographers, and are there logical reasons to go for it?Black-and-white was naturally the first choice for photographers of old due to technical restrictions. Film wasn’t able to showcase color, and it took a long time until more and more street photographers explored new opportunities for color work. Nonetheless, it seems most modern street photography photos are still in B&W.

There are also some strategic reasons to favor black and white over color. As street photographers we usually do not remove elements from the frame in post-processing. Our job is to record an authentic moment in time, that never happened before, and will never happen again. A skillful street photographer makes quick decisions, and is able to remove distracting elements from the frame by moving in closer and positioning him/herself correctly, before pressing the shutter. Most of us would not resort to using post-processing tools to remove objects. There are times when bright colorful elements such as stop signs, trash cans, or cars are inevitable, and will draw the attention away from the subject. By removing the color, you are able to bring the attention back to the human element.

For interested photographers in the modern age looking to make their way into street photography, it is much more likely to discover the work of Vivian Maier, Robert Capa, or Bruce Gilden, who almost exclusively shot in B&W. Quite interestingly, Vivian Maier also had a collection of color images that have mostly remained unpopular.

Modern technology is now more than able to capture colors of the real world. If necessary, editing makes it possible to change the look of colors in any direction you can imagine. And additional complexity like white balance becomes easier to deal with thanks to digital cameras offering RAW files that give photographers more flexibility to adjust the look afterward.

There are also a few characteristics that make black and white advantageous in comparison to color.

There are other times when the color is amazing but also overpowering, and risks becoming the subject because the human element is lost in the chaos.

Sign up to the weekly DPS NEWSLETTER Subscribe All our best articles for the week Fun photographic challenges Special offers and discounts Your email is safe with us. We won’t share it with anyone

Landscape Photography Tips Portrait Photography Tips Photo Composition Tips Beginner Photography Tips Photo Post Processing Tips Get Started with Cameras and Gear

Here a B&W conversion would not make any sense and the subject would lose interest.

But the following are some of the possible reasons why B&W is still popular among street shooters.

In general, I’d advise you to think about which style you chose before you go out and shoot. Both variations are unique and aren’t interchangeable with a simple click in the post production. You have to observe the world very differently. With B&W, you will focus more on the light and shadows, while color requires you to have a look at every possible combination of annoying colors that could break your image.

Later on for me, the noise wasn’t an annoyance anymore but instead became an aesthetic choice. It is a lot easier to emulate old pushed Tri-X film than the ever popular Kodachrome. Color has to factor in a lot more variables which make it near impossible to emulate them perfectly.

© 2006 – 2018 Digital Photography School, All Rights Reserved / Disclaimer

Color will also often give a sense of place or time in street photography. It will evoke the feeling of a season, for example, or the time of the day – from the warm glow of the golden hour, to the cool tones of the blue hour.

The works of talented and passionate photographers from around the world capturing images of “life in our time”…

This can be very difficult, and the composition doesn’t always come out like the street photographer had envision. Often, you observe a nice scene that really catches your interest, but you also face the problem of distracting objects in the background. Especially colorful objects can distract the viewer and sidetrack the attention.

About the author: Sebastian Jacobitz is a street photographer from Berlin, Germany, capturing the everyday life in the city. The opinions expressed in this post are solely those of the author. To see more of his work, visit his website, The Street Photography Hub, or give him a follow on Facebook and Instagram.

Tips for Culling Your Photos – How to Throw Away the Worst and Concentrate on the Winners

Editor’s Note: This is last of a series of articles this week featuring black and white photography tips. Look for earlier ones below.

For landscape or portrait photographers, there are icons like Sebastiao Salgado or Helmut Newton who put out impressive black and white images. But looking back, the past decades have been dominated by color work.

Either way, try sticking with a style for more than only a few images and not switching back and forth. B&W might be a classic that will never run out of fashion, but with color street photography you could set the next highlight in your unique style.

So, the questions is this: Is street photography better in color or black and white? There is no right or wrong answer to this question, it is definitely a personal preference. Some photographers only shoot in color, others prefer black and white for all their work. For my part, I let the subject dictate the choice and that decision is usually made before I press the shutter.

By shooting in RAW you retain all the color information in your file, which allows you to play with the color sliders in Lightroom and turn a distracting color into a light or dark grey tone to fine-tune your final image.

Un globo, dos globos….la vida es un globo que se me escapó

By removing the color distraction it’s a much stronger image, bringing attention right to the subject.

Finding a great background, such as a textured wall or a colorful storefront, is a great way to anticipate a shot, by waiting for the right subject to enter your frame. It may be even more important to get the right subject in a color shot than in a black and white picture. Color harmony plays an important role in making, or breaking the image. Most importantly, color should not overpower your subject. It should be part of the story, not a distraction from it.

The $1,300 Fujifilm X100F (left) and the $659 Ricoh GR II (right).

To restore the original focus of the image, it can be helpful to display the picture in B&W. This way, the content becomes king and the look becomes less important. Since street photography often tries to show a story or the interaction of people, B&W can help to emphasize the content, by fading out distracting colors.

Because of that, B&W is often the “easier” choice by reducing the complexity and difficulty of an image.

Sign up to the weekly DPS NEWSLETTER Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download

B&W will work best if your subject already has a timeless look.

– Any -AfghanistanÅland IslandsAlbaniaAlgeriaAmerican SamoaAndorraAngolaAnguillaAntarcticaAntigua and BarbudaArgentinaArmeniaArubaAustraliaAustriaAzerbaijanBahamasBahrainBangladeshBarbadosBelarusBelgiumBelizeBeninBermudaBhutanBolivia, Plurinational State ofBonaire, Sint Eustatius and SabaBosnia and HerzegovinaBotswanaBouvet IslandBrazilBritish Indian Ocean TerritoryBrunei DarussalamBulgariaBurkina FasoBurundiCambodiaCameroonCanadaCape VerdeCayman IslandsCentral African RepublicChadChileChinaChristmas IslandCocos (Keeling) IslandsColombiaComorosCongoCongo, The Democratic Republic of theCook IslandsCosta RicaCôte d’IvoireCroatiaCubaCuraçaoCyprusCzech RepublicDenmarkDjiboutiDominicaDominican RepublicEcuadorEgyptEl SalvadorEquatorial GuineaEritreaEstoniaEthiopiaFalkland Islands (Malvinas)Faroe IslandsFijiFinlandFranceFrench GuianaFrench PolynesiaFrench Southern TerritoriesGabonGambiaGeorgiaGermanyGhanaGibraltarGreeceGreenlandGrenadaGuadeloupeGuamGuatemalaGuernseyGuineaGuinea-BissauGuyanaHaitiHeard Island and McDonald IslandsHoly See (Vatican City State)HondurasHong KongHungaryIcelandIndiaIndonesiaIran, Islamic Republic ofIraqIrelandIsle of ManIsraelItalyJamaicaJapanJerseyJordanKazakhstanKenyaKiribatiKorea, Democratic People’s Republic ofKorea, Republic ofKuwaitKyrgyzstanLao People’s Democratic RepublicLatviaLebanonLesothoLiberiaLibyaLiechtensteinLithuaniaLuxembourgMacaoMacedonia, The Former Yugoslav Republic ofMadagascarMalawiMalaysiaMaldivesMaliMaltaMarshall IslandsMartiniqueMauritaniaMauritiusMayotteMexicoMicronesia, Federated States ofMoldova, Republic ofMonacoMongoliaMontenegroMontserratMoroccoMozambiqueMyanmarNamibiaNauruNepalNetherlandsNew CaledoniaNew ZealandNicaraguaNigerNigeriaNiueNorfolk IslandNorthern Mariana IslandsNorwayOmanPakistanPalauPalestinian Territory, OccupiedPanamaPapua New GuineaParaguayPeruPhilippinesPitcairnPolandPortugalPuerto RicoQatarRéunionRomaniaRussian FederationRwandaSaint BarthélemySaint Helena, Ascension and Tristan da CunhaSaint Kitts and NevisSaint LuciaSaint Martin (French part)Saint Pierre and MiquelonSaint Vincent and the GrenadinesSamoaSan MarinoSão Tomé and PríncipeSaudi ArabiaSenegalSerbiaSeychellesSierra LeoneSingaporeSint Maarten (Dutch part)SlovakiaSloveniaSolomon IslandsSomaliaSouth AfricaSouth Georgia and the South Sandwich IslandsSouth SudanSpainSri LankaSudanSurinameSvalbard and Jan MayenSwazilandSwedenSwitzerlandSyrian Arab RepublicTaiwan, Province of ChinaTajikistanTanzania, United Republic ofThailandTimor-LesteTogoTokelauTongaTrinidad and TobagoTunisiaTurkeyTurkmenistanTurks and Caicos IslandsTuvaluUgandaUkraineUnited Arab EmiratesUnited KingdomUnited StatesUnited States Minor Outlying IslandsUruguayUzbekistanVanuatuVenezuela, Bolivarian Republic ofViet NamVirgin Islands, BritishVirgin Islands, U.

S.Wallis and FutunaWestern SaharaYemenZambiaZimbabwe

-MonthJanuaryFebruaryMarchAprilMayJuneJulyAugustSeptemberOctoberNovemberDecember

In contrast, street photographers never quite made the full transition and therefore beginners are more likely to try their luck with monochrome images first, following their idols.

In the same vein, silhouette images work very well as monochrome versions. The picture becomes very minimalistic, but when done right can encourage the viewer’s imagination.

Finding a textured colorful background and waiting for the right subject to enter your frame makes for a strong color street photograph. The green tires and blue shoes completed the shot.

Therefore, I feel that colors should match in some way. This could be that one color is very present in the image, or that different colors create either a very harmonic picture or tension. But including color just for the sake of not doing B&W doesn’t work most of the time. Color is too complicated, especially in uncontrollable situations like street photography.

Note: This week is Black and White Photography Week on dPS and to celebrate we’re offering 50% off our Ultimate Guide to Black and White Photography eBook when you use the coupon code BW50 during check out.

Silhouette photographs are often stronger in black and white than in color. The human element featured should be well-defined, and there needs to be some separation to identify the shape of the body. Removing the color will help make your subject stand out more, especially if it is small in the frame. The eye will automatically be drawn to the human shape.

Don’t forget that it’s your vision, and you are shooting street photography for yourself first. Don’t get stuck, try new things! If you always shoot in color, go out and train yourself to see in grayscale for a few days. If you favor black and white, take another look at the world around you and learn to appreciate and use the colors it has to offer. You may discover a whole new way to see, and you will undoubtedly grow in the process. Have fun!

Going out on a photo walk with a specific color in mind is also a fun way to approach street photography. You will be surprised at the creative ways you will see the world around you by focusing your vision on one color. Try it!

Street photography is one of the hardest and most fast-paced genres, leaving little to no time for the composition. While studio photographers can often take all the time they want to create their image very carefully, street photographers have to react on the street very quickly.

Often times it is more interesting for the viewer when not everything is revealed, but there is still room for imagination. This kind of image works very well in B&W. Increasing the contrast also adds to this effect. Colors often would be too distracting and take away from the mysterious atmosphere.

You may like to use black and white for its timeless quality. If your subject also has a timeless look, a black and white processing will make your image stand the test of time, and often give it a more artistic look. This is even more true when no element in your frame dates your photograph (such as mobile phones, cars, etc.). Other times, the black and white processing will even help hide those elements.

When I started my journey into photography, I didn’t want to invest too much money in a camera. A consequence was that ISO noise became very apparent, especially in low light situations. In color work, this can become very distracting and lowers the overall quality of the image. For B&W, some noise can actually work very well, because it resembles the old analog look. You don’t need a Fujifilm X100F to begin with. A Ricoh GR works wonders, even in low light situations when embracing the film look.

5 Simple Ways to Create Expressive Photos in Black and White Tips for Black and White Wildlife Photography 7 Tips for Black and White Portrait Photography 28 Images with Strong Black and White Compositions Weekly Photography Challenge – Black and White Techniques Tips for Black and White Wildlife Photography How to Convert Images to Black and White and Add a Color Tint in Photoshop Shooting all Black and White for a Day to Improve Your Photographic Eye Split Toning Black and White Images in Lightroom Processing Black and White Photos with OnOne Perfect B&W Read more from our Tips & Tutorials category

Nonetheless, there is a huge amount of B&W released on the Internet very day. Standing out from the masses is very difficult when you can only show distinctions of gray. It is easy to get lost in the mass of mediocre monochrome images. Therefore, you have to develop a unique picture style that is distinctive from the rest.

This short video about Color versus B&W is part of my Street Tips series called Hit the Streets with Valerie Jardin

While beauty itself often isn’t the sole subject, the contrast of light and darkness is a frequently used subject. A lot of street photographs revolve around subjects being in the spotlight while a lot of the scene is hidden in the dark.

This led to the development of free film presets like the Silver Efex package. So for the classic film look, monochrome has a lot more to offer and is much easier to replicate, than his colorful alternative.

Receive a FREE SAMPLE of our Portrait Photography Ebook Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Receive a FREE SAMPLE of our Portrait Photography Ebook Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Receive a FREE SAMPLE of our Portrait Photography Ebook Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Sign up to the free DPS PHOTOGRAPHY COURSE Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Sign up to the free DPS PHOTOGRAPHY COURSE Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed Sign up to the free DPS PHOTOGRAPHY COURSE Subscribe Guaranteed for 2 full months Pay by PayPal or Credit Card Instant Digital Download GET DAILY free tips, news and reviews via our RSS Feed

DPS offers a free weekly newsletter with:  1. new photography tutorials and tips 2. latest photography assignments 3. photo competitions and prizes Enter your email below to subscribe.

Documentary photography is one of the oldest genres, and a lot of street photographers try to replicate the look of classic photographers like Robert Capa or Henri-Cartier Bresson. Even until the late 70s, most icons didn’t make the transition but continued to shoot in B&W. Exceptions such as Joel Meyerowitz or Saul Leiter were pioneers with their beautiful color work, but they also had to fight a lot of criticism.

In this frame the subject is interesting but your eye is drawn to the colors of the street signs.

When is color preferred? The color can be an integral part of the story, which also means that a black and white conversation would take away the most important component of the image, and it would not make any sense.

Sign up to the weekly DPS NEWSLETTER Subscribe All our best articles for the week Fun photographic challenges Special offers and discounts

One often misused misconception is converting a bad colorful picture into monochrome and hoping that it turns out better. I agree that B&W makes it easier to conceal mistakes, but a bad photo stays bad and doesn’t profit from monochrome. A picture that doesn’t work in color, because it lacks the depth of story or is badly framed, won’t be better in B&W.

Choosing a color theme then you are out on a photo walk can be a fun project. Here my color theme was blue!

Just as light and darkness can become subjects on their own, colors play an important part in color images. Whenever the photographer decides to stay away from monochrome versions, the colors shouldn’t just be there randomly. In a way, they should make sense and really add something to the scene as if the photographer painted the scene himself. Otherwise, why should you include them?

First, let’s assume that you are shooting with a digital camera and the choice of color or monochrome treatment can be made at the post-processing level. The decision of choosing color or black and white if you are shooting film is a different story, and requires a different frame of mind, as it is usually made before you leave the house.

Street Photography In Black And White