Photograph by gurushots member thomas patrice bw macro challenge
It is still possible to achieve an excellent result even without expensive profiling equipment black and white is all about tonal range and contrast
The photographers black and white handbook making and processing stunning digital black and white photos harold davis 9781580934787 amazon com books
Face drawing white black digital art women monochrome hands abstract 3d open mouth artwork pattern sculpture
Black and white landscape photography with steve gosling
A monochrome or black and white photo can be nostalgic timeless beautiful and these days there are a few ways to capture one many digital cameras have

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Taking Black And White Digital Photos.

Shoot RAW + JPEG. The best monochrome conversions are came across by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome photograph Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. many cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact street cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they activate their camera’s live feeling method , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters should still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more powerful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations could become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create differentiation between objects of the same brightness but with diverse colours.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are merely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter could be used to decrease reflections and boost contrast. Alternatively, make of,find taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, may also be useful for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of their own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would straight away be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dull straight from the camera. providentially , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some strong blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, may inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the best composition.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this can help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If compulsory , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to reduce exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than as regards 1/60 sec a tripod is wanted to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a peculiarity that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only dream of because you should target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to brighten up them to increase local contrast. It’s a good manner of sharing a sense of superior sharpness and enhancing texture. Plus, because you could set the opacity of the tools, you can build up her effect gradually so the impact is subtle and there are no hard edges.

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Photograph by gurushots member thomas patrice bw macro challenge. A monochrome or black and white photo can be nostalgic timeless beautiful and these days there are a few ways to capture one many digital cameras have. Black white photography is still cool. Sunroadfp4. Photograph by gurushots member isabelle eerens just portraits challenge. Mulinodigital. Alberosoledigitalraw. The photographers black and white handbook making and processing stunning digital black and white photos harold davis 9781580934787 amazon com books. Picture. A digital camera with exceptional resolution that yields enormous electronic files with exquisite detail which she manipulates in software and then. Wrotniak net infrared photography with a digital camera. Alberosoledigitaljpg. Black white photographics quality photo printing. Most photographers shooting on a digital dslr camera shoot in color in truth it doesnt make a huge amount of sense to shoot straight to black white. Convert photos to black white. The world of picture taking in the mid 2000s i bought various digital camera and used them for color work however i continued to take black and white. The pictures overall harmonious tripartite composition demonstrates the rule of thirds the important elements are placed at the intersections of three. Tips for making dramatic black and white landscape photos. The leica m monochrom is a rangefinder style digital camera and a true black and white shooter released in 2012 its beloved by most serious photographers. Olympus digital camera. Black and white landscape photography with steve gosling. Make the transition to black and white digital photography. Photoshop tutorial vintage photo effects create a 1940s and 1950s film noir photo. Digital photography classes cellefrouin. State of foolish ignorance i began my foray into digital photography by setting the camera a sony alpha 100 in black and white mode thinking that. Exploding blinds willow city north dakota this is another image shot in an. Goddess mounted digital metallic photo print 42 x 53. It is still possible to achieve an excellent result even without expensive profiling equipment black and white is all about tonal range and contrast. Face drawing white black digital art women monochrome hands abstract 3d open mouth artwork pattern sculpture. A crowd in constantinople walking through a busy narrow street lined by buildings that are 2

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