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The Complete Guide To Black And White Fine Art Photography.

Try Long Exposure. Long exposure shots may work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider area than they would with a short exposure and this may help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). characteristically , when exposures extend beyond in respect of 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are just as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more advantageous . An ND grad is helpful when you require to retain detail in a bright sky while a polarizing filter should be used to reduce reflections and boost contrast. Alternatively, appraise taking two or more shots with varied exposures to create a high dynamic range (HDR) composite. Don’t be anxious to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, can also be advantageous for manipulating contrast in digital images. They work by darkening objects of her opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green single will lighten foliage.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all decreased to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would immediately be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and monotonous straight from the camera. luckily , it’s possible to work adjust the brightness of these two colours separately to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some powerful blacks and whites. This may be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, should inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the unsurpassed composition.

Dodge and Burn. Dodging and burning is a scheme that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers may only thought of taking a degree of because you could target the highlights, shadows or mid-tones with both. This means that you may use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a great avenue of giving a sense of superior sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you may build up his effect gradually so the impact is subtle and there are no hard edges.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more prominent to save this work until the processing stage. Until a a couple years ago Photoshop’s Channel Mixer was the preferred means of turning colour images monochrome, but now Adobe Camera Raw has more forceful tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust single of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as subtle gradations may become unnatural looking. And adjusting the brightness of a red or rosy shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls should also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create separation between objects of the same brightness but with different colours.

Shoot RAW + JPEG. The most excellent monochrome conversions are ended up at by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact plan cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users can also do this if they activate their camera’s live suspicion road , but the usually slower responses mean that numerous will find it preferable or check the image on the screen post-capture.

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The Photographer’s Eye: Composition and Design for Better Digital Photos

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As good as Freeman’s The Photographer’s Eye is, this title is pathetic. Page after page of copy-editing errors, incorrect captions, misunderstanding the software—the list goes…Read more

Black & White Photography: The timeless art of monochrome in the post-digital age

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Black and White Photography: A Basic Manual Third Revised Edition

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Photographer’s Guide to the Nikon Coolpix P900: Getting the Most from Nikon’s Super…

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Mastering Digital Cameras: An Illustrated Guidebook (Digital Photography 1)

4.0 out of 5 starsExcellent book marred by very poor proof reading

Learn all features, menus, and controls of the Nikon Coolpix P610 from a fully illustrated guide book with a detailed index and many helpful hints.

I’ve been shooting B&W for almost 60 years, but I appreciated the author’s revisiting of the medium’s history, and the philosophy that kept many of us shooting B&W long after good color films were commonplace.

As a general introduction to B&W photography, this is an excellent book. Most of the technical information is slated toward Photoshop CS4, I think, as that’s the latest version mentioned in this 2011-publication book.

A handful of good alternative software packages are mentioned, but not covered in great detail. There have been comments here about the author’s understanding of Photoshop tools, but there are many ways to convert a color image to monochrome.

Ultimately, it’s the photographer’s eye, coupled with a willingness to spend time learning what all the menu options do, that will produce good results. Good photography is hard work. Pressing the shutter release is easy; what you do before and after are what matter.

This “Complete Guide” covers all the facets of digital B&W photography, and on opening the book one is immediately impressed by the design. Echoing others’ complaints, where it falls down is in proof-reading! I will think twice before buying another Lark Press book for this reason alone.

Yes, the images are helpful and, even with the typos, the text is informative. But the typos and either flipped illustrations or erroneous captions become intrusive in a hurry. Given the production costs and the costs of licensing Ansel Adams’ and others’ photos, a few hundred extra bucks for a proof reader doesn’t seem out of line.

Still, if you’re interested in exploring black-and-white digital photography and you have a DSLR and Photoshop CS4 or later, you’ll find a great deal of helpful information and inspiration in this book.

MICHAEL FREEMAN is a well-known international photographer and best-selling author who has written more than two dozen books. His client list includes the Smithsonian, Time Life, Condé Nast Traveler, Readers Digest, and GEO magazines.

His articles appear regularly in Photo District News.

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Advancing Your Photography: Secrets to Amazing Photos from the Masters

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Michael Freeman—our top digital photography author and a worldwide name—presents the most comprehensive book yet on black-and-white digital photography. Oversized, beautifully illustrated, and far-reaching in scope, this guide is destined to be a standard reference for years to come.

This book was awful. Not at all up to Freeman’s previous standards. He and the publisher must have decidedit didn’t need an editor. Boy were they wrong.Read more

This book is almost square, a fine format for displaying the well chosen images. It says “Black & White” but it also says “Complete Guide”, and that’s so true. Here you find a very methodic approach to this subject.

Starting with simple straight forward color to B&W conversion and showing clearly that the simple way is quick and so dirty, Michael soon leads us into the world of creatively making what we want and how to tweak the image to get that result.

Michael shows us (using Photoshop as main tool) step by step how to tackle the issues, from the color image itself via the conversion (tools) to processing the converted result. Other conversions (like duotones, InfraRed, solarization) are very well explained, in completely worked out examples.

Likeable is that he really shows the different possiblities, sometimes to show that some ways are not producing top quality work, sometimes to show the choices, creative decisions you have to make for yourself.

Plug-ins and other specialistic tools (for making digital look like film, for noise-reduction etc.) are nicely introduced, showing where, if and when they are needed.The images are beautiful and to the point.

The examples show that seeing in color is so different from seeing in B&W. Michael makes us aware of thinking beforehand in B&W, shown also in work made by the masters (Ansel Adams, Edward Weston and more).

The Zone system is not left untouched in this book. If you think: B&W? Easy: desaturate, done. Then think again, from what you see here, you know this conversion can be done so much better. The displaying, mounting, presenting of the work are also covered.

This really is a complete guide!When you pick this up you have a very attractive book in your hands. Written for easy reference, no lengthy chapters, but concise and direct 2, 3 pages on each subject.

And believe me, you want to pick up this book, time and time again, to become a master yourself, at least in the processing and finishing department.

Learn all features, menus, and controls of the Panasonic Lumix ZS70 from a fully illustrated guide book with a detailed index and many helpful hints.

If you understand how cameras work, you will master photography much faster, make better buying decisions, and quickly adapt to any new camera.

The Headshot: The Secrets to Creating Amazing Headshot Portraits (Voices That Matter)

This volume fits with Michael Freeman’s other books in these respects: Its the same size, Mr. Freeman’s writing is accessible and clear, There is plenty of good information and how-to-do-it examples. I have read two other books by Mr.

Freeman and like them very much.The bad is the production of the book. There are obvious and easy to catch misspellings. Sentences that make no sense. Sentences that aren’t. On one page two of the example graphics are incorrectly labelled (the labels were switched and the examples and descriptions were opposites).

All this carried on throughout (I had hoped the situation would improve as the book went on – it didn’t). On the first page of each section there are several lines of boldface type. I thought it would be a very brief overview or a short pertinent quote from the text.

No, although it is located halfway down the page, it is the beginning of the text. You must read it first.I’m glad Mr. Freeman’s newer book(s) are from Focal Press, they seem to have a much better grasp on putting together a quality product.

The Photographer’s Black and White Handbook: Making and Processing Stunning Digital Black and White Photos

I have purchased many of Michael Freeman’s books. This one meets all of the excellent standards that I like and respect about his writings. I particularly found his comparisons with color imaging and silver based photography stimulating.

The only criticism I have is the poor proof reading. There are many misspelled words, words left out, etc. As a result reading the book can be a bit tedious. This was not the case with the authors other books.

Great Book – Very Helpful. I have learned a lot about digital black and white which is not available in other black and white books.

Photographer’s Guide to the Panasonic Lumix DC-ZS70/TZ90: Gettting the Most from th…

Photographer’s Guide to the Nikon Coolpix P610: Getting the Most from Nikon’ Superz…

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I have several of Mr Freeman’s books:The Photographer’s EyePerfect ExposureTop Digital Photography TipsThe Complete Guide to Black and White…Read more

The Photographer’s Vision: Understanding and Appreciating Great Photography

The Photographer’s Eye Digitally Remastered 10th Anniversary Edition: Composition a…

Comment: Pages are clean with no markings. Ships direct from Amazon!

Series: A Lark Photography Book Paperback: 224 pages Publisher: Lark Books (November 3, 2009) Language: English ISBN-10: 1600595235 ISBN-13: 978-1600595233 Product Dimensions: 9.2 x 0.8 x 10 inches Shipping Weight: 2 pounds (View shipping rates and policies) Average Customer Review: 3.

9 out of 5 stars 13 customer reviews Amazon Best Sellers Rank: #165,193 in Books (See Top 100 in Books) #7 in Books > Arts & Photography > Photography & Video > Black & White #192 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Reference #240 in Books > Arts & Photography > Photography & Video > Digital Photography

I have several of Michael Freeman’s books and find him to be one of my favorite authors on things photographic.Read more

Freeman covers all aspects of black-and-white digital photography: its fine art tradition as well as its techniques.  Learn how to see and expose in black and white, digitally convert color to monochrome, and develop a black-and-white digital workflow. Explore creative choices and how to interpret various subjects most skillfully in monochrome. Finally, get an expert’s advice on printing and displaying black-and-white photographs to best effect.

Learn all features, menus, and controls of the Nikon Coolpix P900 from a fully illustrated guide book with a detailed index and many helpful hints.

I have to agree with earlier reviewers.1. The subject matter of the book is excellent, Freeman is a great author and the material is comprehensive and well presented.Read more

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The Complete Guide to Black & White Digital Photography (A Lark Photography Book) Paperback – November 3, 2009

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I had to read it twice before really grasping what was said and I still pick it up for another read in specific areas. Would recommend this book to my friends.

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5.0 out of 5 starscomplete Guide to Black and White DIGITAL Photography

5.0 out of 5 starsA must have book if you like Black and White Photography

Home » Blog » Tutorials Fine Art Black and White Photography » COMPLETE GUIDE TO BLACK AND WHITE FINE ART PHOTOGRAPHY

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Mastering Black and White Digital Photography (A Lark Photography Book)

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