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Top 10 Black And White Photographers.

Shoot RAW + JPEG. The greatest monochrome conversions are got to by editing raw files which have the full colour information, but if you shoot raw and JPEG files simultaneously and set the camera to its monochrome picture Style/Picture Control/Film Simulation mode you get an indication of how the image will look in black and white. As numerous photographers struggle to visualise a scene in black and white, these monochrome modes are an invaluable tool that will help with composition and scene assessment. numerous cameras are also capable of producing decent in-camera monochrome images these days and it’s worth experimenting with image parameters (usually contrast, sharpness, filter effects and toning) to find a look that you like. Because compact trait cameras and compact cameras show the scene seen by the sensor with camera settings applied, users of these cameras are able to preview the monochrome image in the electronic viewfinder or on rear screen before taking the shot. DSLR users could also do this if they kick in his camera’s live belief track , but the usually slower responses mean that many will find it preferable or check the image on the screen post-capture.

Take Control. Although coloured filters can still be used to manipulate contrast when shooting digital black and white images, it’s more common to save this work until the processing stage. Until a some years ago Photoshop’s Channel Mixer was the favored means of turning colour images monochrome, but now Adobe Camera Raw has more strong tools (in the HSL/Grayscale tab) that allow you to adjust the brightness of eight individual colours that make up the image. It’s possible to adjust one of these colours to make it anything from white to black with the sliding control. However, it’s important to keep an eye on the whole image when adjusting a particular colour as crafty gradations should become unnatural looking. And adjusting the brightness of a red or pinkish shirt with the red sliding control, for instance , will have an impact on the model’s skin, especially the lips. The Levels and Curves controls can also be used to manipulate tonal range and contrast, but the HSL/Grayscale controls allow you to create segregation between objects of the same brightness but with diverse colours.

Look for Contrast, Shape and Texture. The complimentary and opposing colours that bring a colour image to life are all reduced to black and white or shades of grey in a monochrome image and you have to look for tonal contrast to make a shot stand out. In colour photography, for example, your eye would instantly be drawn to a red object on a green background, but in monochrome photography these two areas are likely to have the same brightness, so the image looks flat and dingy straight from the camera. fortunately , it’s possible to work adjust the brightness of these two colours singly to introduce some contrast. However, a good starting point is to look for scenes with tonal contrast. There are always exceptions, but as a general rule look for scenes that contain some forceful blacks and whites. This should be achieved by the light or by the brightness (or tone) of the objects in the scene as well as the exposure settings that you use. The brightness of the bark of a silver birch tree for example, could inject some contrast (and interest) in to a woodland scene. Setting the exposure for these brighter areas also makes the shadows darker, so the highlights stand out even more. Look for shapes, patterns and textures in a scene and move around to find the most excellent composition.

Use Filters. Graduated neutral density (AKA ND grad) and polarizing filters are purely as useful in monochrome photography as they are in colour. In fact, because they manipulate image contrast they are arguably more useful . An ND grad is cooperative when you want to retain detail in a bright sky while a polarizing filter should be used to decrease reflections and boost contrast. Alternatively, hold taking two or more shots with unique exposures to create a high dynamic range (HDR) composite. Don’t be afraid to use a ND grad with a standard neural density filter if the sky is brighter than the foreground in a long exposure shot. Coloured filters, which are an essential tool for monochrome film photographers, could also be useful for manipulating contrast in digital images. They work by darkening objects of their opposite colour while lightening objects of his own. An orange filter, for example, will darken the blue of the sky while a green one will lighten foliage.

Try Long Exposure. Long exposure shots could work really well in monochrome photography, especially where there’s moving water or clouds. During the exposure the highlights of the water, for example, are recorded across a wider place than they would with a short exposure and this could help enhance tonal contrast. The blurring of the movement also adds textural contrast with any solid objects in the frame. If necessary , use a neutral density filter such as Lee Filters’ Big Stopper or Little Stopper to decrease exposure and extend shutter speed (by 10 and 4 stops respectively). naturally , when exposures extend farther than re 1/60 sec a tripod is required to keep the camera still and avoid blurring. It’s also advisable to use a remote release and mirror lock-up to minimise vibration and produce super-sharp images.

Dodge and Burn. Dodging and burning is a style that comes from the traditional darkroom and is usually used to burn in or darken highlights and hold back (brighten) shadows. Photoshop’s Dodge and Burn tools allow a level of control that film photographers should only thought of taking a degree of because you could target the highlights, shadows or mid-tones with both. This means that you could use the Burn tool to darken highlights when they are too bright, or the Dodge tool to perk up them to increase local contrast. It’s a good way of sharing a sense of greater sharpness and enhancing texture. Plus, because you may set the opacity of the tools, you could build up her effect gradually so the impact is crafty and there are no hard edges.

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The top 10 photographers with the maximum number of points for his / her top 10 entries will win the Title. The photographer will need a minimum of 10 points to be considered for the Title.

The top 10 photographers each will receive the Golden X trophy and the top photographer will receive a cash prize of US$2500.

Do you have a stipulated time limit within which the images must have been shot?

While there is no upper limit to the number of entries a photographer can submit, the more number of entries will only work towards better chances of winning the award. The minimum number of entries will have to be 2.

How are the ‘Top 10 Black & White Photographers of a Country: 2019′ chosen?

No. There is no restriction on when the entry image were created.

Sure. You can submit a photograph that was submitted / awarded in any other contest in the past.

One Grand-Prize winner will receive a cash prize of US$2500. The Top 10 Black & White Photographers in the World will each receive the GOLDEN X TROPHY. The trophy is gold plated of size 8x2x2 inches. (a minimum of 22 points is required for the title) All the Top 10 Black & White Photographers in each country will receive a digital certificate.

(a minimum of 10 points is required for the title) All winners (Gold/Silver/Bronze & Finalist) will each receive a digital certificate. All winning images will be showcased on our website.

One Eyeland will only use your images for promoting One Eyeland.

15% – 25% ADDITIONAL DISCOUNT FOR ONE EYELAND PREMIUM MEMBERS ONLY. SIGN UP FOR PREMIUM MEMBERSHIP When you submit more than 1 entry, you get 1% off on the entry fee for every additional entry. What that means is, you get 2% off for 2 entries, 3 % off for 3 entries, 4% off for 4 entries.

..and so on. Entrants can get a maximum discount of 25%.

Since the payment gateway is in India all transactions are 3D secure which requires your to have a secure code for Mastercard or verified for Visa.

RANK #10 (34 POINTS) ADOLFO ENRIQUEZ SANTIAGO DE COMPOSTELA, SPAIN

One Eyeland may use all entries submitted for marketing & promoting the One Eyeland Awards although there will not be any monetary compensation for the same.

Early Deadline: Midnight PST (Pacific Standard Time) 8th March 2019

You will need to sign up with Master Card for a secure code.

Remember, we don’t just award the TOP 10 in the WORLD, but also the TOP 10 in every COUNTRY!

All payments via PayPal will be in United States Dollars (USD). Credit Card payments will be converted to Indian Rupees(INR).

Abstract Editorial People Stock Action Event Photojournalism Street Advertising Fashion Photomanipulation Travel Architecture Fine Art Portrait Wildlife Automotive Landscapes Self Promo   Beauty Nature Sport   Conceptual Nude Still Life  

How are the ‘Top 10 Black & White Photographers of the World: 2019′ chosen?

Can a photographer win the “Top 10 Black & White Photographers Of The World:2019″, if he / she sends less than 10 entries?

All payments are done directly through the payment gateway and not on One Eyeland.

The photo contest consists of two rounds of judging. In Round One, a panel from One Eyeland will review all the entries. A select portion of the entries will be selected for Round Two. In Round Two, the Judges will select the winners. There is no upper limit on the number of awards given.

Note: One Eyeland does not store any Credit Card information on the site.

The top 10 photographers with the maximum number of points for his / her top 10 entries will win the Title. The photographer will need a minimum of 22 points to be considered for the Title.

Entrants must ensure they own undisputed copyrights to their respective entries uploaded for the awards. Copyright of all photographs submitted rest with the photographer.

File Specifications – RGB | JPG Format | 72 dpi | 2000px (longer side) | Color Profile sRGB

Only Bleed photographs without Borders except under ‘Polaroid’ entries

How would intimations be sent out once the awards are announced?

Entries from India will have an additional GST of 18% on the above fees.

Abstract People Action Nude Advertising Photojournalism Architecture Photomanipulation Automotive Portrait Beauty Self Promo Conceptual Sport Editorial Still Life Event Stock Fashion Street Fine Art Travel Landscapes Wildlife Nature  

No. Once you have paid, no modifications are possible. So, do make sure you review your entries before you pay.

If your card is not secured by Mastercard or verified by Visa you can opt to pay via PayPal.

Is it okay that the photograph submitted has already taken part / awarded by a contest in the past?

Will a notification be sent on successful completion of submission?

You will receive an email from [email protected] within 48 hours from the time of successful submission. If the mail does not reach you within 48 hours, you can write to us at the same email ID and we will do the needful. Please always check your Junk / Spam folder before you write to us.

You will receive an email from [email protected] once the final list of winners has been announced.

Wouldn’t it be great if we could identify the finest Black & White photographers in every country and crown the best in the world? One Eyeland’s new photo contest does this and more, elegantly, by celebrating the World’s Top 10 Black & White Photographers. Open to anyone who’s ever captured the visual delights in monochromatic hues, the contest will be judged by the best in the business. Entrants can be from any geography and any culture. All that matters is your beautiful images.

Neither One Eyeland nor their associates, affiliates or partners assume any responsibility for photos submitted in violation of competition rules / copyright regulations. Images that demonstrate violations on copyright and/or competition policies will be removed & disqualified by One Eyeland after due investigations.

There will not be any compensation if used to promote One Eyeland Awards. However, if a situation arises that your image could be used commercially, you will be intimated of the same and you reserve the right to accept or decline the offer. The copright for the images will always rest with the photographer.

Will a monetary compensation be made for the usage of the submitted images?

In case there is a tie where photographers have the same points, their quality of metals (number of Golds, Silvers & Bronzes) will be taken into account to determine the winner.

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